Pattern, Iteration, Material Evolution:
In case anyone is wondering what I've been doing at school, appologies for not being able to explain over the phone.
My studio this term is methodologically based in the development and manipulation of pattern that manifests itself, day to day, in laser-cut paper models... a fact that has lead my studio-mates to afectionately call our section the laZer facTory.
Pattern as surface, like the skin of lizard has the potential to develop variable performances based on subtle manipulation. At key points, transiton from one state to another allows the pattern to develop moments of singluarity or uniqueness within its regular structure. These moments and their effects are highly suggestive to an architectural practice interested in, not essential or ideal form but "an-exact" (read: intentional) instantiation of a system within the material field... a field characterized by constant variation.
Ok... so in paper this might look like this:

I thought this pattern was particularly productive because it formed a field of flowers

and a flexible spine

which could be manipulated to form volumetric shapes like in the first picture. These expericments showed the pattern to have a poor relationship between module and latice, the module can either isloate iteslf as in the field of flowers, or interact with one another in a singular closed fasion, as in the spine formation. These trates are undesierable in terms of wanting to illustrate the projection of pattern on a variable field.
So on to pattern two, "the african necklace pattern," so called by professor Perry in friendly ribbing of the pattern in a freer state. Minimizing the lattice aspect of this pattern and adding a small slot allowed it to be woven together not unlike the crochette of a hat!

but you can't wear it on your head

because the paper resists folding on itself, unlike yarn, expansion forms ridges rather than circles

these ridges can increse, decrease, divide, and be mirrored into infinity

to produce... a spaceship?

Ok reality check: one of these is a model for a water taxi station... believable or no?
Oh, and this is the view from my studio: 5th floor Higgins Hall looking North onto Manhattan:






